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上海大学学报(社会科学版) ›› 2026, Vol. 43 ›› Issue (2): 120-133.

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“万屏共振”：城市公共屏幕的“视觉展演”与“视觉纽带”构建

  

  1. 西南大学 新闻传媒学院
  • 出版日期:2026-03-15 发布日期:2026-03-17
  • 作者简介:
    秦红雨，西南大学新闻传媒学院教授，西南大学图书馆副馆长。研究方向：视觉文化、乡村传播。
  • 基金资助:
    重庆社会科学基金重点项目（2024NDZD10）

"Resonance of Myriad Screens": A Study on the "Visual Performanceand Construction of "Visual Nexus" Through Urban Public Screens

  1. School of Journalism and Media, Southwest University
  • Online:2026-03-15 Published:2026-03-17

摘要： 在视觉文化时代，城市公共屏幕以“视觉展演”和“视觉在场”的方式，成为独特的城市媒介景观，成为社会主义城市的“视觉纽带”，重构着中国城市公共空间的视觉场域。其不仅是中国城市公共空间视觉文化建构的重要组成部分，也呈现着中国特色社会主义文化认同的空间实践和媒介特质，建构着中国城市的集体情感认同，成为社会主义文化认同的情感体制的典型表征，为全球城市公共空间的建构提供了独特模式和经验。

关键词:

Abstract: In the era of visual culture, urban public screens have emerged as a distinctive urban medialandscape through modes of visual performance and visual presence. Functioning as a "visual nexus" insocialist cities, they reconfigure the visual field of urban public space in contemporary China. These screens notonly constitute a crucial component in the visual -cultural construction of Chinese urban public spaces, but alsoembody the spatial practices and media characteristics of cultural identity under socialism with Chinesecharacteristics. By shaping collective affective identification within Chinese cities, urban public screensoperate as a paradigmatic manifestation of the affective regime intrinsic to socialist culural identity, therebyoffering a distinctive model and experiential reference for the construction of public space in global urbancontexts.

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