上海大学学报(社会科学版) ›› 2025, Vol. 42 ›› Issue (3): 51-62.

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身体透视中的性别话语:中国体育电影的女性形象建构

  

  1. 李 攀:山东大学 新闻传播学院

    王 源:山东社会科学院

  • 出版日期:2025-05-15 发布日期:2025-05-26
  • 作者简介:李攀,山东大学新闻传播学院在站博士后。研究方向:影视文化传播等。 王源,山东社会科学院研究员,文学博士。研究方向:文艺学、美学研究。
  • 基金资助:
    国家社会科学基金重大项目(21&ZD017)

Gender Discourses through the Lens of Body: The Construction of Female Images in Chinese Sports Cinema

  1. LI Pan: School of Journalism and Communication, Shandong University
    WANG Yuan: Shandong Academy of Social Sciences
  • Online:2025-05-15 Published:2025-05-26

摘要:

有着百余年发展历史的中国体育电影塑造了各种不同的女性形象。这些形象既是对当时历史文化的生动反映,同时也在不同程度上体现出形象本身所具有的能动性乃至主体性。在相关影片的女性形象的历史塑造中,身体构成了一条含义丰富的主线。通过对相关历史文献的发掘,能够发现影片中女性形象所内蕴的异质性和复杂性,这有助于更新和充实对体育电影女性形象的既有理解。在体育电影女性形象的主体意识从萌芽不断走向成熟的历史跋涉中,以身体为核心的性别话语与政治话语始终保持着一种动态的张力关系,从而构建了自身具有辩证性的话语形态。

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Abstract:

Chinese sports films, with a history spanning over a century, have portrayed a range of female images that not only reflect the social and historical contexts in which they emerged, but also demonstrate varying degrees of agency and subjectivity. In these cinematic representations, the female body constitutes a thematic thread laden with complex meanings. By examining relevant historical documents, one can discern the heterogeneity and complexity flowing beneath the surface of these portrayals, thus expanding and enriching our existing understanding of female representations in sports cinema. Throughout the historical trajectory in which the subjective consciousness of female images in sports films has evolved from nascence to maturity, the gender discourse centered on the body has maintained a dynamic tension with political discourse. This interplay has shaped a dialectical form of discourse unique to these representations.

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