上海大学学报(社会科学版) ›› 2022, Vol. 39 ›› Issue (3): 68-77.

• 影视理论研究 • 上一篇    下一篇

审美经验与消费实践:重回电影想象力消费美学的逻辑起点

  

  1. 四川大学艺术学院
  • 出版日期:2022-05-15 发布日期:2022-11-26

Aesthetic Experience and Consumption Practice:Back to the Theoretical Starting Point of Film Imagination and Consumption Aesthetics

  • Online:2022-05-15 Published:2022-11-26

摘要: 想象力消费美学是现代工业社会下想象力审美实践和想象力消费实践极度发展所形成的美学理论。在该理论下,美学和消费两者从彼此独立走向了融合、开放和持久的关系模式,并形成了互相依赖的理论话语体系。它的出现是在电影美学和消费美学之下,建立起的另外一条中层理论的知识范式研究道路,和电影工业美学一起参与到电影与社会的话语关系研究、电影和历史交融发展研究的探索过程中,为中国电影学派建设、中国学术话语体系的构建提供了宝贵的理论经验和研究路径。

关键词: 审美主客体, 想象力消费, 美学, 消费实践, 审美经验

Abstract: Imagination consumption aesthetics is an aesthetic theory formed through the extreme development of imagination aesthetic practice and consumption practice in the modern industrial society. Under this theory, aesthetics and consumption have moved from a relationship of being independent of each other to a lasting, open and integrated one, based on which an interdependent theoretical discourse system has come into being. The occurrence of imagination consumption aesthetics opens another middle-level theoretical path of knowledge paradigm apart from film aesthetics and consumer aesthetics. Together with film industry aesthetics, it engages in the study of discourse relationship between film and society and the integrated development between film and history. It provides valuable reference to theoretical experience and a different research path for the development of Chinese cinematic schools of thoughts and the construction and enrichment of Chinese academic discourse system.

Key words: aesthetic subject and object, imagination consumption, aesthetics, consumption practice, aesthetic experience